Green And Pink Lines In Tv

Llossa John - Der deutsche Tangokönig

Birth: 27/07/1900 in Barcelona / Spain
: 05/21/1957 in Salzburg, Austria, by a stroke / heart attack during a concert on stage at the cafes Winkler

Buried: in Hamburg Ohlsdorf, instead of a tomb or inscription of a quote in his grave stone, the first bars of his "Tango Bolero" engraved, a tango, with which he became world famous.

Growing up in a merchant family in Barcelona, he tried, though still a minor, escape with 16 years as a stowaway by Jerez, Andalusia to South America, but police caught him in Tenerife. After this adventure, his parents sent him to relatives in Cuba. There he learned of course, the South American rhythms such as Rumba, Bolero - know and tango. Although still young, he was fascinated by the tango. This meeting influenced him decisively. Juan started his own band, which consisted of 4 people and moved to this even to Mexico.

Back in Spain, his parents sent him to Germany to study music the Academy of Music in Darmstadt. 1923 Juan moved to Berlin in order to escape from the tutelage of his parents. Both his illustrious name and his experience predestined him to found his own "big orchestra" in no time. With this foundation began the golden hour of "Juan Baptiste Llossas Isidoro" in the twenties of the last century to beat. In 1929 opened Llossas the Dance Palace Femina "in Berlin. Both his name, and the sound of his orchestra soon became known and famous, he gave concerts in almost every entertainment temples of Europe.

the master composed the most beautiful melodies and his orchestra recorded many records. From 1942 to 1944, he became director of an orchestra at the front, the German soldiers to serve in Russia. He survived unscathed, that appeal.

After the war it took the British radio station in Germany, BFN - British Forces Network - as a conductor under contract. He had an extraordinary musical talent. Within 4 years he wrote 200! new tunes (almost every week, 1 Tango). He was probably the greatest tango composer of the century in the world.

Other famous Tango are:
"Tango Apasionado", "Povero gondolier", "Bella signora", "Olé Olé" "Primavera", "Majanah", "Carissima mia", "Mia bella Manolita" y "Jerez".

Llossas was born in November 1900, ie, in 2010 the 110th anniversary of his birth Time

Llossas Juan - El Rey del Tango Aleman

Nacido: 07/27/1900 in Barcelona
fallecido: ; 21/05/1957 en Salzburg / Austriaco, por un ataque de apoplejia durante un concierto - en escena in the Café Winkler.

buried: in Hamburg-Ohlsdorf, on his tombstone is engraved with the first contacts / bars of his "Bolero Tango" - a tango, this has become world famous.

Raised in a business family in Barcelona, at the age of 16 had taken refuge - even minor - as a stowaway from Jerez to South America, but the police finished their journey in Teneriffa. After this adventure, his parents sent on to the parantella in Cuba. Here are naturally found South American rhythms such as Rumba, the Bolero and the Tango - still young, he was fascinated by it. Estes encounters he had a decisive influence.

propria John founded his band, composed of 4 and gave up traveling with this concert in Mexico. Returned home, his parents sent to Germany to begin a study of music at the Academy of Art of Sound in Darmstadt, near Frankfurt. In 1923, John moved to Berlin to escape from the custody of their parents. Your name realm, their experiences and love for the predestined Tango will soon create a "Great Orchestra." With that "gave" the big time of John Baptiste Isidore Llosses in the golden years padas twentieth century. In 1929, Llosas opened the "Prom Palaciao Femina" in Berlin. Your name as the sound of his orchestra were soon known and famous scenes and gave almost all the temples of entertainment in Europe.

Master wrote the most beautiful melodies and his orchestra recorded many albums. From 1942 to 1944 he became leader of an orchestra to entertain the German troops in Russia. This mission survived unscathed.

After the war, the British broadcaster in Germany, BFN - British Forces Network, forced him to work as a leader.

The possessed an extraordinary musical talent. Within 4 years he composed 200 (!) New melodies Tango (Tango approx. 1 every week). Probably was the greatest Tango composer of his century in the world.

tango Other popular titles include:
"Passionate Tango", "Povero Gondoliero", "Bella Signora", "Olé Olé", "Spring", "Majanah", "Carissima mia", "Mia bella Manolita "and" Sherry. "

Llosses was born in November 1900, ie in the year 2010 by one hundred ten (110) years.

Juan Llosses - The German King of Tango

Born:              on the 27th of July, 1900 in Barcelona / Spain
Day of death:    21.05.1957 in Salzburg / Austria through a heart attack / apoplexy during a concert on the stage of the Cafe Winkler.

Burried:             in Hamburg – Ohlsdorf; instead of an epitaph / quotation, in his gravestone were engraved the first bars of his „Tango-Bolero“, a Tango, with that he got world-famous.

Grown up in a family of traders in Barcelona at the age of 16 he tried to escape  - although still not of age – as stowaway from Jerez to Southamerica, but the Police catched him on Teneriffa. After this adventure, his parents sent him to their relatives in Cuba. There he naturally met with the rhythms of South America as the Rumba, Bolero – and the Tango – although young, he was fascinated about the Tango. These encounters influenced him decisively.

Juan founded his own band, consisting of 4 persons and with them he gave concerts even in Mexico. - Back at home in Spain, his parents sent him to Germany to begin a study of music at the academy of the art of sound in Darmstadt, near Frankfurt. In 1923, Juan moved to Berlin to escape the tutelage (treating like a child) on the part of his parents.

His fine sounding name as well as his experiences predestined him to create a “Grand Orchestra” in a very short time. With that creation, the great hour had come for “Juan Baptiste Isidoro Llossas” in the twenties, last century. In the year 1921, Llossas inaugurated the “Dance Palace Femina” in Berlin. His name as well as the sound of his orchestra were soon well known and popular and was seen in almost all entertainment temples of Europe.

The master composed the most beautiful melodies and his orchestra recorded many discs. From 1942 till 1944 he became conductor of an orchestra at the front to entertain the German troops in Russia. He survived that mission unhurt.

After the war, the British station in Germany BFN – British Forces Network – obliged him to work as conductor. He possessed an extraordinary musical talent. Within 4 years he composed 200 (!) new melodies (approx. 1 Tango each week). Probably he was the greatest composer of Tango in that century in the world.

Other famous titles of Tangos are:
„Tango Apasionado“, „Povero Gondoliere“, „Bella Signora“, „Olé Olé“, „Primavera“, "Majanah", "Carissima mia", "Mia bella Manolita" y "Jerez". he

Llossas was born in November 1900, in the year 2010 it's hundred and ten (110) years ago.


© ANI.PAS

Jc Penney Salson Prices

Deutsches Bandoneón (Concertina) Arnold, diatonisch, gebaut ca. 1920 - 1930

Manufacturer: not clear - probably Arnold
Dimensions of body: height 22.5 cm, depth 24.5 cm, width 32 cm

products that this instrument is an "attic find". After cleaning, it turned out to be a rare and luxurious model. Although the manufacturer is not known, it is possible that the bandoneon was manufactured by A-Arnold. Unfortunately missing from the center of the metal ornament the appropriate letter (probably it was destroyed by rough handling).

A / ELA, the abbreviations of the manufacturer Ernst Louis Arnold, which was founded in 1864 in Carl Field / Saxony. Instruments were played by this manufacturer Astor Piazzolla and it is said that these were the best for all time, ever made were.

all sides of the case, except the bottom are covered with inlays, which are incorporated into the wood with mother of pearl. The button heads wear this material. Furthermore, these sites are equipped with 6 sound-holes. Decorated with ornaments that were carved into the wood and cut features, the bandoneon has an attractive appearance and an exceptionally good quality.

The edges of the housing are flat and the corners have a metal plate, which symbolizes a stylized lyre. The bandoneon has over 27 buttons in the treble and bass of over 22 buttons that is, that this diatonic instrument Has 98 single tones. The instrument was played on immediately after purchase.

resolution of existing conceptual confusions:

The name comes bandoneon / bandoneon of the music teacher and instrument dealer Heinrich Band of Krefeld. At his instigation, however, the concertina in several tones mid-19th Century changed (1850). He then gave this instrument, more of the concertina, his name

BAND ONION, just great!

What came out when this change was called the "Rheinische pitch. The other concertinas had either the Carl Fields or the "Chemnitzer pitch.

A journal from the 1896 assessment but notes already that are bandoneon and concertina "one" !

is worth noting that Heinrich Band was a manufacturer of tools never himself.

bandoneon (concertina) Arnold Aleman, diatonico,
construido aprox. 1920 - 1930

Fabricante: not recognized - probably Arnold
Box measures: Height 22.5 cm, 24.5 cm Fund, width 32 cm

This instrument is a "Finding of a loft." After some cleaning is determined to be a rare model and luxury. Although the manufacturer is unknown, there is the possibility that this is a Bandoneon / Concertina manufacturing A-Arnold. Unfortunately missing the central point (was removed perhaps because inadequate treatment or failure) of the metal ornament. A / ELA were manufacturing abbreviations Ernst Louis Arnold was founded in 1864 in Carlsfeld / Saxony, Germany. Bandoneones of this manufacturing were also touched by Astor Piazzolla - said to be the best Bandoneones forever.

All sides of the box, except the bottom are overseed of inlaid wood inlaid with mother of pearl material. The heads of the buttons also brings this material. In addition, each side is equipped with 6 inlaid sound openings. Adorned with ornaments carved or sawn timber're everywhere, this Bandoneon is well proportioned and has an extraordinary finish. The box corners are beveled and each comes with a small metal lira.

The Bandoneon sample 27 in the treble buttons and 22 buttons in the bass part is that this instrument has 98 diatonic tones individual. No repairs were necessary to play with.

Dissolution of confusion about the ideas:


The name Bandonion / Bandoneon is professor of music and instruments merchant Heinrich Band of Krefeld / Lower Rhine , Germany. For his initiative Konzertina / Concertina however, was amended in tones in the middle of the nineteenth century (ca. 1850). In view of this, he gave this instrument more accurate the Konzertina, his name

BAND-ONION, just great!

result of this modification, the pitch was named "tone / level Rhine - Rheinische Tonlage." The other Konzertina / Concertinas had to be the "Carlsfelder" or the "Chemnitzer tone / level."

Already a technical journal in 1896 observed that the Bandonion / Bandoneon and Konzertina / Concertina are "One" !

must hold, Heinrich Band that it was never an instrument maker.

German Bandoneon (Concertina) Arnold, diatonic,
Constructed approx. 1920 - 1930

Manufacturer:                not recognizable – probably Arnold
Measures of the case :  Height 22,5 cm, Depth 24,5 cm, Breadth 32 cm

This instrument is a “Discovery of an Attic”. After some cleanings it resulted to be a rare and luxurious model. Although the producer is unknown, there is a possibility that this Bandoneon could be manufactured by A-Arnold. Unfortunately the letter is missing in the center (perhaps it was destroyed through bad treatment) of the metal ornament. A/ELA were the abbreviations of the manufacturer Ernst Louis Arnold, that was founded 1864 in Carlsfeld / Saxony, Germany. Instruments of this manufacturer were also played by Astor Piazzolla and are said to be the best Bandoneons for all times.

All sides of the box, except the underside are strewn with works of inlay, inserted in the wood with mother-of-pearl. Also the heads of the buttons carry that material. Furthermore, each side with inlay is equipped with 6 sound wholes. Adorned with ornaments, that are carved or sawn in the wood, this Bandoneon disposes of a nice shape and owns an extraordinary good quality. The edges of the case are bevelled and each of them carries a small lyre of metal.

The Bandoneon shows 27 buttons in the treble and 22 buttons on the bass-side i.e., that this diatonic instrument disposes of 98 individual tones. No repairs were necessary to play on it.

Dissolution of confusions in view of existing ideas:

The name Bandonion / Bandoneon comes from the music teacher and trader of instruments Heinrich Band, Krefeld / Rhineland, Germany. At his instigation however, the Konzertina / Concertina was modified in some tones in the middle of the 19th century (approx 1850). With regard to that, he gave this instrument, more precise the Konzertina, his name :

BAND-ONION, simply brilliant !!

What came out of that modification was called the “Rhineland Pitch – Rheinische Tonlage”. The other Konzertinas owned eather the “Carlsfelder Pitch” or the “Chemnitzer Pitch” - both Saxony.

A specialist journal from the year 1896 already found out that the Bandonion resp. Konzertina are “One” !!

We have to record, that Heinrich Band himself never was a manufacturer of instruments.

© ANI.PAS